John Bingham-Hall
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I am a researcher, writer, and cultural organiser based in Paris and Marseille. My current work focuses on the ways how climate adaptation strategies are transforming the cultures and politics of the urban public sphere, engaging critical humanities, creative research methods, and artistic works to address sonic, choreographic, and narrative dimensions of change. I draw on a training in music and urban studies, as well as a decade of work connecting arts and urbanism with Theatrum Mundi, to explore the complex dynamics that shape public life in cities through a series of cross-cutting threads including ecology, infrastructure, sound, movement, culture, and voice.

 

I work with universities, cultural organisations, and private practices to lead learning programmes, international knowledge exchange, and collaborative, cross-disciplinary research around these approaches. See my LinkedIn or Instagram for more, or email me to contact me about working together.


Website: CC-17

Voice

Cities are, in part, machines for communication, some of which mediated, but a huge amount voiced. Voicing is staged by a complex system of spaces and infrastructures that confer or deny political weight to speakers, that focus attention on a performer, that assemble communities in deliberation. Urban streets are also the sites of the vocal cacophony of the public itself, but also of the united voices of protest. We cannot understand cities without understanding about voice, and we cannot understand voice without engaging with sound and its implications. This thread in my work has aimed to do exactly that.